★★1/2 Lacking in freights and originality, the film pivots the spotlight onto the Warrens themselves, casting the real-life paranormal investigators as daring pioneers despite their exploits remaining dubious decades later.
Caught Stealing (2025)
★★★1/2 Austin Butler electrifies every scene with majestic charm in this surprisingly fun crime caper from Darren Aronofsky, though the director's signature grit sometimes clouds the film's light-hearted tone.
August Movie Round-Up
Quick thoughts and reviews of all the new releases I was able to catch in August.
The Life of Chuck (2024)
★★ I found myself surprisingly unmoved by Mike Flanagan's TIFF winner, A hollow experience that tries to disguise its narrative void with a shallow meditation on life and death.
Eddington (2025)
★★★1/2 Stellar performances and Aster's fearless direction pull you into this powder keg of a town, but by juggling too many sensitive topics, the films feels as subtle as a knife to the head.
Freakier Friday (2025)
★★1/2 While the jokes and story stumble in this legacy sequel, Lindsay Lohan and Jamie Lee Curtis shine, effortlessly stepping back into the roles they reversed more than twenty years ago.
Weapons (2025)
★★★★1/2 Weapons tantalises its audience, weaving a Rashomon-inspired structure that pulls you headfirst into Zach Cregger's wild labyrinth of mystery and comical horror.
Sorry, Baby (2025)
★★★★ Writer-Director Eva Victor thoughtfully explores a challenging subject in this black comedy that cleverly balances sombre post-traumatic drama with quirky indie satire
Together (2025)
★★★★ Alison Brie and Dave Franco deliver career-best performances as a co-dependent couple in this gnarly body horror that is both darkly comedic and memorably unsettling.
The Naked Gun (2025)
★★★1/2 With a gravelly-voiced Liam Neeson taking over from the iconic, and similarly named Leslie Nielsen, this hilarious and fittingly silly "Naked Gun" reboot may help revive the long dormant spoof subgenre
