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The End of Oak Street (2026)
★★★ David Robert Mitchell’s wild Amblin-inspired fever dream is a tonal rollercoaster, with an unnecessarily great Anne Hathaway battling to rescue her chaotic suburban family from a prehistoric nightmare. Read more
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Tony (2026)
★★★★1/2 A combination of sensational performances, humour, raw emotion and even flashes of frustration, Matt Johnson serves up a dazzling coming-of-age biopic celebrating the late, legendary chef Anthony Bourdain. Read more
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Spider-Man: Brand New Day (2026)
★★★1/2 Spider-Man’s greatest strength has always been his vulnerability, and “Brand New Day” truly excels in its character development and emotional resonance. Unfortunately, the plot and action set-pieces feel rather insignificant by comparison. Read more
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The Odyssey (2026)
★★★1/2 Though weighed down by a clunky structure and missing an emotional anchor, Christopher Nolan’s thunderous retelling of the epic Greek poem largely triumphs with unforgettable set-pieces and a rewarding finale. Read more
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Moana (2026)
★★1/2 With classic songs at its disposal, the newest entry in the endless parade of live-action Disney remakes offers a dose of fun, though it ultimately feels underwhelming and mostly reminds us just how magical the original animation truly was. Read more
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Minions & Monsters (2026)
★★★1/2 Just when it looked like the Minions had run out of steam, they come roaring back with perhaps their most dazzling adventure in years, serving up a wildly clever and joyfully slapstick love letter to classic cinema. Read more
Dan Loves Film 
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