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Disclosure Day (2026)
★★★ Emily Blunt shines in Spielberg’s latest science fiction spectacle. Yet, for all its grand ideas, the film stumbles, lacking a clear narrative thread, sprawling into an overstuffed, meandering journey that disappointingly often slips into tedium. Read more
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The Mandalorian and Grogu (2026)
★★★ This might just be the most uninspired Star Wars theatrical outing yet, shuffling a flimsy script from scene to scene with the rhythm of a forgettable TV episode. Still, I found myself unexpectedly charmed by the titular duo. Read more
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Backrooms (2026)
★★★1/2 Though I longed for more time wandering the eerie halls of the titular “Backrooms”, Kane Parsons’ impressively mature debut feature masterfully channels the haunting atmosphere and dread of his viral webseries onto the big screen. Read more
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The Christophers (2026)
★★★★ Soderbergh not only manages to draw a fittingly detestable turn from James Corden, but also weaves an intimate, articulate, and captivating two-hander that lets Cole and McKellen truly soar as performers. Read more
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Passenger (2026)
★★1/2 While this road trip horror mostly follows a tired and predictable route, two strong lead performances and Ovredal’s knock for crafting real scares and a creepy atmosphere keep it from veering completely off course. Read more
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Obsession (2026)
★★★★ Curry Barker’s wickedly funny and deliciously disturbing spin on the classic monkey paw tale warns us to be careful what we wish for, as our cowardly protagonist finally receives the affection he craves with horrific results. Read more
Dan Loves Film 
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