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Jackass: Best and Last (2026)
★★★★ The last film in the Jackass series is a wild, hilarious and unexpectedly heartfelt tribute to the members, whose unbreakable bond and fearless commitment have created a legacy of unforgettable, wince-inducing memories. Read more
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Supergirl (2026)
★★★ The latest DCU instalment has its moments, especially thanks to Milly Alcock, who infuses her Kryptonian heroine with undeniable swagger. Sadly, the fresh energy of the first half fades as the story slips into predictable comic book territory. Read more
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Toy Story 5 (2026)
★★★1/2 “Toy Story 5” brings back the humour and charm that made us fall in love with the franchise, but much like its immediate predecessor, it gets bogged down by too many new faces and tangled subplots, leaving less room for the toys we truly care about. Read more
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Disclosure Day (2026)
★★★ Emily Blunt shines in Spielberg’s latest science fiction spectacle. Yet, for all its grand ideas, the film stumbles, lacking a clear narrative thread, sprawling into an overstuffed, meandering journey that disappointingly often slips into tedium. Read more
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The Mandalorian and Grogu (2026)
★★★ This might just be the most uninspired Star Wars theatrical outing yet, shuffling a flimsy script from scene to scene with the rhythm of a forgettable TV episode. Still, I found myself unexpectedly charmed by the titular duo. Read more
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Backrooms (2026)
★★★1/2 Though I longed for more time wandering the eerie halls of the titular “Backrooms”, Kane Parsons’ impressively mature debut feature masterfully channels the haunting atmosphere and dread of his viral webseries onto the big screen. Read more
Dan Loves Film 
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