Insidious: Out of the Further (2026)

★★1/2 The majority of this tired and formulaic sixth instalment in the once chilling horror franchise relies on cheap and predictable scares before finally embracing its silliness by balancing campy supernatural fun with absurd logic.

Spa Weekend (2026)

★★1/2 The chaotic female-led comedy flashes with a few moments of hilarity, but stumbles over clumsy slapstick, worn-out cliches, and the baffling waste of Anna Faris, falling short of the riotous fun it so desperately chases.

The End of Oak Street (2026)

★★★ David Robert Mitchell's wild Amblin-inspired fever dream is a tonal rollercoaster, with an unnecessarily great Anne Hathaway battling to rescue her chaotic suburban family from a prehistoric nightmare.

Tony (2026)

★★★★1/2 A combination of sensational performances, humour, raw emotion and even flashes of frustration, Matt Johnson serves up a dazzling coming-of-age biopic celebrating the late, legendary chef Anthony Bourdain.

Spider-Man: Brand New Day (2026)

★★★1/2 Spider-Man's greatest strength has always been his vulnerability, and "Brand New Day" truly excels in its character development and emotional resonance. Unfortunately, the plot and action set-pieces feel rather insignificant by comparison.

The Odyssey (2026)

★★★1/2 Though weighed down by a clunky structure and missing an emotional anchor, Christopher Nolan's thunderous retelling of the epic Greek poem largely triumphs with unforgettable set-pieces and a rewarding finale.

Moana (2026)

★★1/2 With classic songs at its disposal, the newest entry in the endless parade of live-action Disney remakes offers a dose of fun, though it ultimately feels underwhelming and mostly reminds us just how magical the original animation truly was.

Minions & Monsters (2026)

★★★1/2 Just when it looked like the Minions had run out of steam, they come roaring back with perhaps their most dazzling adventure in years, serving up a wildly clever and joyfully slapstick love letter to classic cinema.

The Invite (2026)

★★★★★ This hilariously perverse yet sophisticated four-hander is a masterclass in marital awkwardness, boasting a script so witty and progressive it allows its quartet of stars to deliver some of the best work of their careers.

Jackass: Best and Last (2026)

★★★★ The last film in the Jackass series is a wild, hilarious and unexpectedly heartfelt tribute to the members, whose unbreakable bond and fearless commitment have created a legacy of unforgettable, wince-inducing memories.

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