★★★★1/2 Human lie detector Michael Fassbender is tasked with finding a traitor within British Intelligence in this slick and sexy espionage caper from Steven Soderbergh.
Black Bag (2025)
A Minecraft Movie (2025)
★★ While it may appeal to the vast Minecraft fanbase, this cringey live-action adaptation is seriously lacking the creativity that has become synonymous with the record-breaking sandbox game.
Snow White (2025)
★1/2 Rachel Zegler gives it her all as the titular princess, but shoddy production values, an underwhelming love interest and a terrible Gal Gadot ultimately are the undoing of the latest Disney live-action remake.
Baby Invasion (2025)
★★★ The latest project by Harmony Korine is more of an attack on the senses than a narrative feature, as the experimental filmmaker comments on the blurred lines between video games and real life.
The Electric State (2025)
★★1/2 The latest big-budget release from Netflix fails to capitalise on its promising dystopian premise. Instead it lumbers along without really exploring its central themes surrounding humanity and our reliance on technology.
Mickey 17 (2025)
★★★★ This zany sci-fi satire from Bon Joon-ho may prove to be too wacky for some, but the visionary Korean filmmaker's ability to seamlessly blend genres from scene-to-scene remains unrivalled.
The Last Showgirl (2024)
★★★★ Gia Coppola's beautifully understated homage to the Las Vegas working class sees Pamela Anderson deliver a career best performance in a rare, but refreshing, dramatic role
The Monkey (2025)
★★★1/2 Osgood Perkins abandons the serious tone of the Stephen King short story in favour of a more comedic and off-kilter approach that boasts some unforgettably excessive deaths
Captain America: Brave New World (2025)
★1/2 Contrary to its title, there is nothing brave nor new about the latest instalment in the Marvel Cinematic Universe, as the diminishing superhero franchise continues to re-tread previous entries.
Nickel Boys (2024)
★★★★ RaMell Ross' dauntless creative approach to adapting the Pulitzer Prize winning novel achieves a devastating level of immersion never before seen when exploring African-American trauma
Dan Loves Film 