★★★ Glen Powell's effortless charisma draws you in from start to finish, but despite some moderate fun, this remake of an Ealing classic stumbles with its wavering tone and timid script that never quite takes any real risks.
Project Hail Mary (2026)
★★★★ Brimming with wit and warmth, this visually stunning and hilarious adaptation of Andy weir's epic space odyssey soars through the cosmos on the irresistible charisma and magnetic energy of Ryan Gosling.
98th Academy Awards – Final Predictions
Final 98th Oscars Predictions
Resurrection (2025)
★★★1/2 Though its intentionally elusive story may test your patience, Bi Gan's meditative and masterfully crafted sci-fi epic dazzles the senses and stands as a breath-taking tribute to the art of cinema.
Hoppers (2026)
★★★★ This cute and hilarious conservationist adventure from Pixar might not top the studio's all-time classics list, but it signals a return to form thanks to its timely themes, heartfelt warmth, and sparkling humour.
“Wuthering Heights” (2026)
★★★★ Emerald Fennell's bold interpretation of "Wuthering Heights" is sure to ruffle the feathers of purists, but there is no denying that her fearless vision brings a fresh and unexpected energy to Emily Bronte's classic tale.
Send Help (2026)
★★★1/2 With a committed McAdams and O'Brien at his disposal, Sam Raimi's "Send Help" shines brightest as a wildly entertaining survival thriller, only to lose its footing in the final act when the cult filmmaker's horror roots take over and cloud the narrative.
Primate (2026)
★★★ This bananas creature feature may be instantly forgettable, but there is undeniable fun in watching a frenzied chimpanzee tear through his hapless victims with ruthless and bloody efficiency.
Mercy (2026)
★1/2 This clunky and lifeless screenlife thriller stumbles over its own ambitions, missing the pulse-pounding excitement expected of a high-concept sci-fi flick, and squandering its to stars by misusing their talents.
No Other Choice (2025)
★★★★ Park Chan-wook dazzles once again with his striking visuals and wickedly sharp humour in this darkly satirical thriller, though it never quite captures the pulse-pounding urgency of his greatest films.
