★★★★ They may be guilty of talking down to their audience, but Cruise and McQuarrie continue to up the stakes in this thrilling final instalment of the long-running action franchise.
Mission: Impossible – The Final Reckoning (2025)
Final Destination Bloodlines (2025)
★★★★ Boasting some of his most inventive kills yet, Death is back with a vengeance as the long dormant horror franchise returns better than ever as it fully embraces the ridiculousness of its fate-driven conceit
Thunderbolts* (2025)
★★★★ A captivating Florence Pugh leads a ragtag team of Marvel outcasts in this surprisingly dark and unconventional superhero flick, which may be the best MCU entry since the heady heights of "Endgame".
Drop (2025)
★★★ Fahy and Sklenar's on-screen chemistry perfectly captures the awkwardness of first dates in this entertaining modern Hitchcockian thriller from Christopher Landon.
Sinners (2025)
★★★★1/2 Michael B. Jordan stars as bootlegging twin brothers in Ryan Coogler's toe-tapping supernatural tale that boasts plenty of substance beneath its stunning blood-soaked visuals for audiences to sink their teeth into.
The Rule of Jenny Pen (2025)
★★★1/2 Geoffrey Rush's retired judge becomes the latest victim of John Lithgow's unhinged care home bully in this claustrophobic and upsetting New Zealand psychological chiller.
Black Bag (2025)
★★★★1/2 Human lie detector Michael Fassbender is tasked with finding a traitor within British Intelligence in this slick and sexy espionage caper from Steven Soderbergh.
A Minecraft Movie (2025)
★★ While it may appeal to the vast Minecraft fanbase, this cringey live-action adaptation is seriously lacking the creativity that has become synonymous with the record-breaking sandbox game.
Snow White (2025)
★1/2 Rachel Zegler gives it her all as the titular princess, but shoddy production values, an underwhelming love interest and a terrible Gal Gadot ultimately are the undoing of the latest Disney live-action remake.
Baby Invasion (2025)
★★★ The latest project by Harmony Korine is more of an attack on the senses than a narrative feature, as the experimental filmmaker comments on the blurred lines between video games and real life.
Dan Loves Film 