★★★★1/2 This epic stop-motion fantasy from Laika is not only a profound and mature exploration of grief, loss, and war, but also stands as the beloved animation studio's most ambitious and visually mesmerising masterpiece yet.
Wildwood (2026)
Josephine (2026)
★★★★ Opening with an unflinching depiction of sexual violence sets the tone for this well-crafted yet shattering drama-thriller, with young newcomer Mason Reeves delivering a powerful portrayal of childhood trauma and the loss of innocence.
The Uprising (2026)
★★1/2 Paul Greengrass’ signature visual realism clashes with this otherwise solid historical epic, which unflinchingly revisits a grim chapter of British history before bizarrely weaving in folklore and legend as it becomes an unexpected Robin Hood origin story.
Digger (2026)
★★★1/2 Tom Cruise leads an undeniably ambitious satire, where inventive production design and standout performances keep things lively, even as strange creative choices and a puzzling framing device leave the social and political themes falling short of the mark.
The Dog Stars (2026)
★★★ Ridley Scott infuses this bleak post-apocalyptic drama with visual splendour, yet rather than venturing into new realms, the legendary director merely treads familiar ground, recycling the shadows of countless dystopian properties that proceeded it
Teenage Sex and Death at Camp Miasma (2026)
★★★ I admire Schoenbrun's sharp exploration of gender and sex tropes in horror films, and this meta-slasher dazzles with its striking visuals, yet I found myself drawn more to the eerie atmosphere and lingering ambiguity of their earlier work.
Supergirl (2026)
★★★ The latest DCU instalment has its moments, especially thanks to Milly Alcock, who infuses her Kryptonian heroine with undeniable swagger. Sadly, the fresh energy of the first half fades as the story slips into predictable comic book territory.
The Christophers (2026)
★★★★ Soderbergh not only manages to draw a fittingly detestable turn from James Corden, but also weaves an intimate, articulate, and captivating two-hander that lets Cole and McKellen truly soar as performers.
Obsession (2026)
★★★★ Curry Barker's wickedly funny and deliciously disturbing spin on the classic monkey paw tale warns us to be careful what we wish for, as our cowardly protagonist finally receives the affection he craves with horrific results.
Lee Cronin’s The Mummy (2026)
★★★ Horror auteur Lee Cronin breathes fresh life into the classic movie monster, but despite an abundance of gross-out gore and high domestic stakes, the story drags and unravels into a gruesome, bloody mess.