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Insidious: Out of the Further (2026)
★★1/2 The majority of this tired and formulaic sixth instalment in the once chilling horror franchise relies on cheap and predictable scares before finally embracing its silliness by balancing campy supernatural fun with absurd logic. Read more
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Spa Weekend (2026)
★★1/2 The chaotic female-led comedy flashes with a few moments of hilarity, but stumbles over clumsy slapstick, worn-out cliches, and the baffling waste of Anna Faris, falling short of the riotous fun it so desperately chases. Read more
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The End of Oak Street (2026)
★★★ David Robert Mitchell’s wild Amblin-inspired fever dream is a tonal rollercoaster, with an unnecessarily great Anne Hathaway battling to rescue her chaotic suburban family from a prehistoric nightmare. Read more
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Tony (2026)
★★★★1/2 A combination of sensational performances, humour, raw emotion and even flashes of frustration, Matt Johnson serves up a dazzling coming-of-age biopic celebrating the late, legendary chef Anthony Bourdain. Read more
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Spider-Man: Brand New Day (2026)
★★★1/2 Spider-Man’s greatest strength has always been his vulnerability, and “Brand New Day” truly excels in its character development and emotional resonance. Unfortunately, the plot and action set-pieces feel rather insignificant by comparison. Read more
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The Odyssey (2026)
★★★1/2 Though weighed down by a clunky structure and missing an emotional anchor, Christopher Nolan’s thunderous retelling of the epic Greek poem largely triumphs with unforgettable set-pieces and a rewarding finale. Read more
Dan Loves Film 
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